“What’s your pet’s carbon pawprint?” by Yukai Du
Snappy, vibrant, and insightful explainer for YORA, a new sustainable pet food company based in the UK, by London director/animator Yukai Du via Bliink and Junction Studio. “These days more and more of...
View ArticleFriends Electric Signs Director/animator Ewan Jones Morris
From the release: LONDON, 10th December, 2018 – Ewan Jones Morris, the award-winning director and animator, is the latest to join Friends Electric’s ever-growing talent roster. Ewan has directed music...
View ArticleGlassworks Amsterdam Appoints Anya Kruzmetra COO and Kyle Obley Head of 2D
From the release: Following a period of continued growth, the award-winning studio, Glassworks Amsterdam, is expanding the office’s leadership team to keep up with client demand. This restructure has...
View ArticleDirty Puppet Celebrates 10 Years
To celebrate their 10th anniversary, Australian animation studio Dirty Puppet conjure a delightful collaboration of staff and friends built on “10 steps, ingredients, and habits that go into baking a...
View ArticleMetro Exodus Main Titles by Elastic
“Metro Exodus,” the third installment in 4A Games’ Metro video game series will release in February 2019 and open with this chilling title sequence sculpted by CD Andy Hall and the Elastic crew. The...
View ArticleIan Bradley Joins Framestore as Design Director
From the release: Framestore is pleased to announce the hiring of Design Director Ian Bradley, who will be based out of the company’s New York office. With over 12 years of industry experience, Bradley...
View ArticleFolks Appoints Veteran VFX Supervisor Laurent Spillemaecker Head of 2D
From the release: Folks is pleased to announce the appointment of VFX Supervisor Laurent Spillemaecker as Head of 2D. In his role, Laurent will lead the development and growth of the 2D department as...
View Article“Upgrade” Main Titles by Scott Geersen and Substance
Director Leigh Whannell’s new sci-fi feature “Upgrade” opens with the first title sequence since François Truffaut’s “Farenheit 451” (1966) to replace all text with VO. The result is both engaging and...
View Article“Xmas Hold ‘Em” by MegaComputeur and Passion
Poker night at the North Pole takes an unexpected turn for Santa in this jolly dark comedy from Passion Animation directing collective MegaComputeur. Passion executive producer Debbie Crosscup: “It...
View ArticleDeloitte “At the Beginning of Everything” by Onesal
Starting with their beautiful brand film for the University of Melbourne in the fall of 2017, Tokyo studio Onesal has quickly made a name for themselves in the competitive high-end of artful CG...
View ArticleRichard E. Grant Narrates “O Human Being” for Anomaly London
Written, directed, animated, and produced by Anomaly and Unreasonable Studios in London, “O Human Being” tells the tragic tale of Peter, an unlucky human voiced by Richard E. Grant, as the full extent...
View ArticleAlzheimer’s Society Christmas Message by Bold & Bold
London branding studio Bold & Bold head up an emotional project for the UK Alzheimer’s Society designed to help those living with dementia communicate thoughts and ideas they may not be able to...
View Article“She’Cago” by Izzy and Demo Duck for 826CHI
Chicago prodco Demo Duck donates their talents to bring an urban teen’s poem to life for 826CHI, a hometown non-profit creative writing, tutoring, and publishing center dedicated to amplifying the...
View ArticleChroma “lost found melody” Music Video by Mozuya
Japanese illustrator/animator Mozuya combines action, mystery, and the pain of a lost sibling in this dream-like CG watercolor world firmly anchored in anime traditions for the track “lost found...
View ArticleAudi “A Shorter Letter” by The Frank Barton Company
Madrid animation and VFX house The Frank Barton Company steps boldly into the CG holiday brand video competition with this carefully crafted heart-warmer for Audi thru DDB Spain. Client: Volkswagen...
View Article“A Tasty Xmas” Short Film by Nerdo
From Nerdo animation studio in Turin, Italy: “Here it comes the most wonderful time of the year when the gentle spirits reveal their kindness and spread the love. Well, but we know Santa doesn’t exist...
View ArticleBest of Stash 2018: Title Design
Setting the tone and creating anticipation for a live event, feature film, or television series is both an enormous responsibility and a cherished creative opportunity. Here’s seven title sequences...
View ArticleBest of Stash 2018: Music Videos
Outside the music mainstream, a rich ecosystem of independent artists and filmmakers collaborate to create an array of fun and fresh visual surprises. Stash makes a point of hunting down and collecting...
View ArticleBest of Stash 2018: 3D Style
The explosion of visual experimentation caused by the continued democratization of 3D animation and rendering tools is arguably the most exciting design trend of this decade. These seven projects...
View ArticleBest of Stash 2018: Short Films
The creative challenge and promise of the self-imposed brief makes the short film a treasured opportunity for both professionals taking a break from client work and students trying to launch careers...
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